A window. An opposite window facade. A room. Flowers. Luise and a phone call. An action scene. A construction site. A musician. The room temperature is 21,3°C.The image of a room, its appearance changing with the shades of light. A window front, seen through the window. Changing flower arrangements on a side *****. Sounds, entering the room from outside the frame. A construction site hints at changes in the exterior. Rehearsal Are the sound waves of the piano reaching us from downstairs or from next door? In 21.3°C Helena Wittmann reduces the filmic elements to the essentials: light, shadow, sound, direction. Out of this minimum, stories emerge that linger, atmospheres that resonate
谁砍倒了樱桃树 2024-06-25
**与画外空间（生活）的观察，花提供了某种**参考（**or季节？）。部分音效偏刻意。感觉没像类似方**的，那部卢梭的Welcome那样执行到位。
何阿嵐 2019-12-26
A window. An opposite window facade. A room. Flowers. Luise and a phone call. An action scene. A construction site. A musician. The room temperature is 21,3°C.The image of a room, its appearance changing with the shades of light. A window front, seen through the window. Changing flower arrangements on a side *****. Sounds, entering the room from outside the frame. A construction site hints at changes in the exterior. Rehearsal Are the sound waves of the piano reaching us from downstairs or from next door? In 21.3°C Helena Wittmann reduces the filmic elements to the essentials: light, shadow, sound, direction. Out of this minimum, stories emerge that linger, atmospheres that resonate
amie**苦多 2024-06-11
声音。以及。如果一朵花的震颤成为了最重要的dramatic events。其实拍摄***画面不是重点，如何给画面赋予“意义”才是导演最大的难题。
ξ 2023-12-17
3.5。把每一幕作为海浪-没有一朵是完全相同的