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Meeting the Man: James Baldwin in Paris

剧情:Thisrarefilmdocumentofoneofthetoweringfiguresof20th-centuryAmeric……
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This rare film document of one of the towering figures of 20th-century American literature—photographed by Jack Hazan (Rude Boy, A Bigger Splash)—captures the iconic writer in several symbolic locations, including the Place de la Bastille. As Hazan recounts: “Things don’t go to plan for him and the film crew when a couple of young Black Vietnam draft dodgers impose themselves o...

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eighthday 2020-10-13

“——Because you don’t understand that you for me, is ** prison. You are ** warden. I am battling you. ” “——Love has never been a popular movement, and no one has ever really wanted to be free. The world is held together by the love and passion of very few people. “

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把噗 2021-06-05

想不到鲍德温是这副鬼样,大跌眼镜。敏感、脆弱、自尊心强……眼见的遭受过**的弱小男人的心理,基佬+黑人在那个年代到底受到了多少摧残,让他变成这样。

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大寸 2021-06-20

那个年代的白人说话可真难听 (right on baby

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十万 2022-08-05

才30分钟三分之二的素材放的全是对峙场景,这两位完全不在一个*道,但也实实在在拍到了他那张战士的脸庞:you the english, the french, the west, the christian thinks you could save me.. you dont know that ive endured your salvations so long

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你sha不sha 2022-02-11

Baldwin说出是“we save you”的时候犹如一记大巴掌呼到观众和执镜者脸上。Terence Dixon的白人身份在这部片子里显露无疑,傲慢,condescending,戴着“i'm showing this to the world”的伪善**,实际也是Baldwin所说的white supremacy专属“salvation”。这样的拧巴呈现在影像里,算是外部世界race struggle的一个小缩影吧。有趣得很。

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sister rat 2022-03-04

James Baldwin vs. 史上最理直气壮的无知无畏式提问者,“他急了他急了”😆

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dasisttroy 2023-07-08

人文主义的***。《乔凡尼的房间》里的“我”是“你”以及“我”与“你”之间持续的战争的概念再次出现。

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盖被子的猫 2021-02-21

“What you’ve got to remember is what you are looking at is also you. Everyone you are looking at is also you. You could be that person, you could be that monster, you could be that cop. And you have to decide in yourself not to be.”

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*戈里 2022-02-10

so powerful, need to take notes

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feather看** 2024-07-16

**,导演不要太privileged,看得人扶额🤷🏻不会提问可以不用问让人自己说。最后一段才让人阐述自己的理念,掷地有声。